There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it’s like drilling rock and then blasting it out with charges.
“The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.”
- Jeanette Winterson
But, always, there were those new corners and—when feeling my normal self, beholden for that self to medicine and love—I cannot imagine becoming jaded to life, because I know of those limitless corners, with their limitless views.
Remember, fear is consciousness plus life. Regret is an attempt to avoid what has already happened. Toast is bread held under direct heat until crisp. The present tense of regret is indecision. The future tense of fear is either comedy or tragedy. And the past tense of toast is toasted.
The generalizing writer is like the passionate drunk, stumbling into your house mumbling: I know I’m not being clear, exactly, but don’t you kind of feel what I’m feeling?
My preference is for prose with more silence in it, language that contains more pockets of strangeness.
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Keeping people in a constant state of lack, in perpetual desire, strengthens the market economy. Lovelessness is a boon to consumerism.
So plant your own gardens and decorate your own soul, instead of waiting for someone to bring you flowers.
Toymakers will tell you they won’t sell enough, and movie people will point to the two terrible superheroine movies that were made and say, You see? It can’t be done. It’s stupid, and I’m hoping The Hunger Games will lead to a paradigm shift. It’s frustrating to me that I don’t see anybody developing one of these movies. It actually pisses me off. My daughter watched The Avengers and was like, “My favorite characters were the Black Widow and Maria Hill,” and I thought, Yeah, of course they were. I read a beautiful thing Junot Diaz wrote: “If you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves.”
We demand rigidly defined areas of doubt and uncertainty!
The art of the future will be the expression of the individual artist through the thousand powers of the machine, the machine doing all those things that the individual workman cannot do, and the creative artist will be the man who controls this all and understands it.
In general, I think it’s good not to worship those you admire. It’s important to understand that all people are flawed and make mistakes and say stupid/cruel/hateful/inappropriate things. And it’s good to hold those people accountable. But it’s also possible to like someone who is flawed. In fact, it is more or less necessary.
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